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Anam Cara Page 11


  ONE OF THE GREATEST SINS IS THE UNLIVED LIFE

  In the Western tradition, we were taught many things about the nature of negativity and the nature of sin, but we were never told that one of the greatest sins is the unlived life. We are sent into the world to live to the full everything that awakens within us and everything that comes toward us. It is a lonely experience to be at the deathbed of someone who is full of regret; to hear him say how he would love another year to do the things his heart had always dreamed of but believed he could never do until he retired. He had always postponed the dream of his heart. There are many people who do not live the lives they desire. Many of the things that hold them back from inhabiting their destiny are false. These are only images in their minds. They are not real barriers at all. We should never allow our fears or the expectations of others to set the frontiers of our destiny.

  We are so privileged to still have time. We have but one life, and it is a shame to limit it by fear and false barriers. Irenaeus, a wonderful philosopher and theologian in the second century, said, “The glory of God is the human person fully alive.” It is lovely to imagine that real divinity is the presence in which all beauty, unity, creativity, darkness, and negativity are harmonized. The divine has such passionate creativity and instinct for the fully inhabited life. If you allow yourself to be the person that you are, then everything will come into rhythm. If you live the life you love, you will receive shelter and blessings. Sometimes the great famine of blessing in and around us derives from the fact that we are not living the life we love, rather we are living the life that is expected of us. We have fallen out of rhythm with the secret signature and light of our own nature.

  The shape of each soul is different. There is a secret destiny for each person. When you endeavor to repeat what others have done or force yourself into a preset mold, you betray your individuality. We need to return to the solitude within, to find again the dream that lies at the hearth of the soul. We need to feel the dream with the wonder of a child approaching a threshold of discovery. When we rediscover our childlike nature, we enter into a world of gentle possibility. Consequently, we will find ourselves more frequently at that place, at the place of ease, delight, and celebration. The false burdens fall away. We come into rhythm with ourselves. Our clay shape gradually learns to walk beautifully on this magnificent earth.

  A Blessing of Solitude

  May you recognize in your life the presence, power, and light of your soul.

  May you realize that you are never alone,

  that your soul in its brightness and belonging connects you intimately with the rhythm of the universe.

  May you have respect for your own individuality and difference.

  May you realize that the shape of your soul is unique, that you have a special destiny here,

  that behind the facade of your life there is something beautiful, good, and eternal happening.

  May you learn to see yourself with the same delight, pride, and expectation with which God sees you in every moment.

  FOUR

  WORK AS A POETICS OF GROWTH

  THE EYE CELEBRATES MOTION

  The human eye adores movement and is alert to the slightest flicker. It enjoys great moments of celebration when it beholds the ocean as the tide comes in, and tide upon tide repeats its dance against the shore. The eye also loves the way light moves, summer light behind a cloud crawling over a meadow. The eye follows the way the wind shovels leaves and sways trees. The human is always attracted to motion. As a little baby, you wanted to crawl, then to walk, and as an adult you feel the continuous desire to walk into independence and freedom.

  Everything alive is in movement. This movement we call growth. The most exciting form of growth is not mere physical growth but the inner growth of one’s soul and life. It is here that the holy longing within the heart brings one’s life into motion. The deepest wish of the heart is that this motion does not remain broken or jagged but develops sufficient fluency to become the rhythm of one’s life.

  The secret heart of time is change and growth. Each new experience that awakens in you adds to your soul and deepens your memory. The person is always a nomad, journeying from threshold to threshold, into ever different experiences. In each new experience, another dimension of the soul unfolds. It is no wonder that from ancient times the human has been understood as a wanderer. Traditionally, these wanderers traversed foreign territories and unknown places. Yet Stanislavsky, the Russian dramatist and thinker, said that “the longest and most exciting journey is the journey inwards.”

  There is a beautiful complexity of growth within the human soul. In order to glimpse this, it is helpful to visualize the mind as a tower of windows. Sadly, many people remain trapped at the one window, looking out every day at the same scene in the same way. Real growth is experienced when you draw back from that one window, turn, and walk around the inner tower of the soul and see all the different windows that await your gaze. Through these different windows, you can see new vistas of possibility, presence, and creativity. Complacency, habit, and blindness often prevent you from feeling your life. So much depends on the frame of vision—the window through which you look.

  TO GROW IS TO CHANGE

  In a poetics of growth it is important to explore how possibility and change remain so faithful to us. They open us to new depths within. Their continual, inner movement makes us aware of the eternity that hides behind the outer facade of our lives. Deep within every life, no matter how dull or ineffectual it may seem from the outside, there is something eternal happening. This is the secret way that change and possibility conspire with growth. John Henry Newman summed this up beautifully when he said, “To grow is to change and to be perfect is to have changed often.” Change, therefore, need not be threatening; it can in fact bring our lives to perfection. Perfection is not cold completion. Neither is it avoidance of risk and danger in order to keep the soul pure or the conscience unclouded. When you are faithful to the risk and ambivalence of growth, you are engaging your life. The soul loves risk; it is only through the door of risk that growth can enter. Hölderlin wrote,

  Nah ist

  Und schwer zu fassen der Gott.

  Wo aher Gefahr ist, wächst

  Das Rettende auch.

  Near is

  and difficult to understand the God

  But where danger is

  The redemptive also grows.

  Possibility and change become growth within the shape of time that we call a day. Days are where we live. This rhythm shapes our lives. Your life takes the form of each new day that is given to you. The wonderful Polish poet Tadeusz Różewicz describes the difficulty of writing good poetry. A writer writes and writes and writes, and yet the harvest is so minimal. Nonetheless, Różewicz quotes an old dictum that says, “It is more difficult to spend a day well than to write a book.” A day is precious because each day is essentially the microcosm of your whole life. Each new day offers possibilities and promises that were never seen before. To engage with honor the full possibility of your life is to engage in a worthy way the possibility of your new day. Each day is different. In the Book of Revelation, God said, “The world of the past has gone…. Behold I am making all of creation new.” The new day deepens what has already happened and unfolds what is surprising, unpredictable, and creative. You may wish to change your life, you may be in therapy or religion, but your new vision remains merely talk until it enters the practice of your day.

  THE CELTIC REVERENCE FOR THE DAY

  Celtic spirituality has a great sense of the significance of each day, how the new day is sacred. The Celts never entered the day with a repetitious deadening perspective; they took each day as a new beginning. A lovely Celtic prayer articulates this sense of the day as a gift from God. The metaphor of vision suffuses the poem. There is an invocation that the human eye may “bless all it sees” and that God’s vision may guard and guide the day. The day is understood as a time of reflexive blessing that embraces
God, self, others, and nature.

  God bless to me the new day

  never vouchsaved to me before

  it is to bless thy own presence thou has given triumph

  God.

  Bless thou to me mine eye

  may mine eye bless all it sees

  I will bless my neighbor

  may my neighbor bless me,

  God give me a clean heart

  let me not from sight of thine eye

  bless to me my children and my wife

  and bless to me my means and cattle.

  (TRANS. A. CARMICHAEL)

  For the Celtic person the new day was lived amidst nature. It is easy to have a creative sense of the day when you live in the presence of the great divinity called nature. For the Celtic people, nature was not matter, rather it was a luminous and numinous presence that had depth, possibility, and beauty.

  There is also a beautiful invocation of the day in an ancient poem called “The Deer’s Cry”:

  I arise today

  Through God’s strength to direct me,

  God’s might to uphold me,

  God’s wisdom to guide me,

  God’s eye to look before,

  God’s ear to hear me,

  God’s word to speak to me,

  God’s hand to guard me,

  God’s way to lie before me,

  God’s shield to protect me.

  God’s hosts to save me from snares of devils

  From temptation of vices,

  From everyone who shall wish me ill,

  Afar and anear,

  Alone and in a multitude.

  (TRANS. KUNO MEYER)

  This poem articulates the Celtic recognition of the omnipresence of God. The very act of awakening is recognized as a gift. At the threshold of a new day there is no arrogance; rather, a longing to praise. God is pictured in sensuous detail as the divine anam ara. At every moment and in every situation, God is the intimate, attentive, and encouraging friend.

  This notion of the day as a sacred place offers a lovely frame for the creativity that a day can bring. Your life becomes the shape of the days you inhabit. Days enter us. Sadly, in modern life, the day is often a cage where a person can lose youthfulness, energy, and strength. The day is often experienced as a cage precisely because it is spent in the workplace. So many of our days and so much of our time is spent doing work that remains outside the territories of creativity and feeling. Negotiating the workplace can be complex and very difficult. Most of us work for someone else and lose so much of our energy. As a matter of fact, one of the definitions of energy is the ability to do work. Days spent caged make us tired and weary. In a city, all the morning traffic jams hold people who are barely out of the night and are sleepy, anxious, and frustrated. Pressure and stress have already stolen their day. In the evening, the same people are weary after a long workday. By the time they get home, they have no energy left to the desires, thoughts, and feelings that were neglected all day.

  It is very difficult, at first consideration, to bring the world of work and the world of soul together. Most of us work in order to survive. We need to make money; we have no choice. On the other hand, those who are unemployed feel frustrated and demeaned and suffer a great loss of dignity. Yet those of us who work are often caught within a grid of predictability and repetition. It is the same every day. There is such an anonymous side to work. All that is demanded of us is the input of our energy. We move through the workplace, and as soon as we are gone in the evening, we are forgotten. We often feel that our contribution, while it is required and demanded, is merely functional and in reality hardly appreciated. Work should not be like that at all; it should be an arena of possibility and real expression.

  THE SOUL DESIRES EXPRESSION

  The human deeply desires expression. One of the most beautiful ways the soul is present is through thought. Thoughts are the forms of the soul’s inner swiftness. In a certain sense, there is nothing in the world as swift as a thought. It can fly anywhere and be with anyone. Our feelings too can move swiftly; yet even though they are precious to our own identity, thoughts and feelings still remain largely invisible. In order to feel real, we need to bring that inner invisible world to expression. Every life needs the possibility of expression. When we perform an action, the invisible within us finds a form and comes to expression. Therefore, our work should be the place where the soul can enjoy becoming visible and present. The rich unknown, reserved and precious within us, can emerge into visible form. Our nature longs deeply for the possibility of expression in what we call work.

  I was raised on a farm. We were poor, and each of us had to do our share of work. I am always grateful that I was taught how to work. Ever since, I have found satisfaction in being able to do a day’s work. I find it frustrating when a day goes astray and at evening I sense that many of the possibilities that slept in that day remained unmet. On a farm, work has a clear and visible effect. When you are digging potatoes, you see the results of your harvesting; the garden yields its buried, nurtured fruit. When you build a wall in a field, you are introducing a new presence into the landscape. If you are out footing turf on the bog, in the evening you see all the gro-gaín of turf standing up ready to dry. There is great satisfaction in farmwork. Even though it is difficult, you still see a great return for your work. When I left home, I entered the world of thought, writing, and poetry. This work is in the invisible realm. When you work in the territory of mind, you see nothing. Only sometimes are you given the slightest little glimpse of the ripples from your effort. You need great patience and self-trust to sense the invisible harvest in the territory of the mind. You need to train the inner eye for the invisible realms where thoughts can grow, and where feelings put down their roots.

  PISREOGA

  For many people, the workplace is unsatisfactory and permits neither growth nor creativity. More often than not, it is an anonymous place where function and image have control. Since work demands such labor and effort, it has always made the worker vulnerable. Even in the ancient Celtic tradition, negativity could be harnessed to make nature work against the worker. When people disliked each other or wanted to damage each other, they often did it through destroying that person’s harvest. This is the world of pisreoga. Maybe one neighbor was jealous of another and planted eggs in his garden of potatoes. When the neighbor goes to dig up the potatoes at harvesttime, the potatoes have decayed. The destructive wish of the neighbor is realized through a ritual of negative invocation and the symbol of an egg. This then robs the power and the fruitfulness of the garden.

  In the Celtic tradition, the first of May was a precarious date. The Celts guarded their wells at this time; negative or destructive spirits might want to destroy, poison, or damage them. Such negativity is illustrated in a story my uncle used to tell of a neighboring village. One May morning, a farmer was out herding his animals. He met a strange woman pulling a rope along the meadow. He greeted her by saying a blessing: “Dia Dhuit.” But she did not answer. Rather, she turned and disappeared, leaving the rope behind her. It was a fine rope. He coiled it and brought it back to the house and threw it into a barrel in one of the outhouses, where it lay forgotten. The following harvest, the neighbors were helping him bring hay home from the meadows with the horse and cart and they needed an extra rope to tie the load of hay. Someone asked if he had any other rope. He said, “Níl aon rópa agam ach rópa an t-sean cailleach”—that is, “I have no rope but the rope of the old hag.” He went to the shed to find the rope, but when he came to the barrel, it was full of butter. The old woman was no innocent visitor; she had stolen the cream and strength of the land on that May morning. When she dropped the rope, the power remained in the rope, and the cream of the land filled up the barrel. This story shows how sometimes the harvest and the reward of work could be stolen at the precarious threshold of May morning.

  PRESENCE AS SOUL TEXTURE

  In the modern workplace, a negative atmosphere can be very destructi
ve. When we speak of an individual, we speak of his presence. Presence is the way a person’s individuality comes toward you. Presence is the soul texture of the person. When we speak of this presence in relation to a group of people, we refer to it as atmosphere or ethos. The ethos of a workplace is a very subtle group presence. It is difficult to describe or analyze an ethos; yet you immediately sense its power and effect. Where the ethos is positive, wonderful things can happen. It is a joy to come to work because the atmosphere comes out to meet you, and it is caring, kind, and creative. If the ethos of the workplace is negative and destructive, then when people wake up in the morning, their first thought of going to work literally makes them ill. It is lonely that so many people have to spend so much of their short time in the world in a negative and destructive work ethos. The workplace can be quite hostile; it is often an environment of power. You are working for people who have power over you. They have the power to sack you, criticize and bully you, or compromise your dignity. This is not a welcoming atmosphere. People have power over us because we give our power away to them.

  It is an interesting exercise to ask yourself what image you have of the people who have power over you. A friend of mine works in a school that has an insecure principal. He is weak and defensive and uses his power in a very negative way. Recently at a meeting, to start the school term, he berated the staff. The next day my friend ran into this man in town with his wife. She was shocked to recognize that outside of his power context, he looked totally insignificant. This startled her because she had projected such power onto him as school principal.